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[ENG]From December 1934 to late September 1935 the Quintette du Hot Club de France, founded by gypsy guitarist Django Reinhardt and French violinist Stéphane Grappelli, cut nearly 20 titles for the Parisian based branch of the German Ultraphone label. During the nine months they spent under contract with Ultraphone, their repertoire included some original compositions by members of the band, as well as classic jazz gems. The selections proposed here offer a sample of Django's early genius, who showed the jazz community that the merican way' of playing jazz was not the only one. Although the guitar and violin playing of Eddie Lang and Joe Venuti during the 1920s had planted the seeds of a so-called "chamber jazz" style, Django and Grappelli's approach was entirely new and innovative, opening a sound concept never before explored.[GER]Zwischen Dezember 1934 und September 1935 nahm das QUINTETTE DU HOT CLUB DU FRANCE, das vom Gypsygitarristen DJANGO REINHARDT und dem französischen Violinisten Stéphane Grappelli gegründet wurde, für das deutsche Ultraphone Label 20 Titel auf. In den neun Monaten der Vertragslaufzeit versammelten sich einige Eigenkompositionen und Klassiker des Jazz. Die Auswahl auf ,From The Ultraphone Shelves" verdeutlichen das frühe Genie des DJANGO REINHARDT, der der Jazzgemeinde zeigte, dass es nicht nur die amerikanische Variante der Musik gab.
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